The Writer’s Voice
A book about writing and encouraging people to write. I’ve read or looked at quite a number of these over the last few years, and you can find lots of advice for aspiring writers on the Web as well. I glance at a few of them when they appear in my Twitter feed, but there is a remarkable sameness about them all. I suspect that the writers of advice for writers have read very little other than books of advice to writers, and rehash it in blog articles and the like. I think if any aspiring writers took that advice seriously, all novels would be boring and formulaic, and eventually no one would read fiction anymore.
This one is somewhat different. For a start it is written for people in Southern Africa, and it is urging people who wouldn’t normally think of writing to tell their stories. I think that is a laudable aim. The convoluted history of Southern Africa over the last 70 years is a story that needs to be told if we are to make sense of it and of our lives, and it needs to be told from many different viewpoints.
So it lacks the usual advice on how to start your novel in the middle of things, with startling and violent events, and let the explanation of them percolate through afterwards. It also is a bit thin on practical advice on how to prepare your manuscript for publication and send it to a publisher. Perhaps that is wise, because such information easily becomes dated.
So much of the book is motivational, where to find your inspiration. And there are many different ways and places to find inspiration, so most readers of the book will find at least a few that may inspire them. Many of them are designed for use in a group, and so they won’t appeal to the solitary reader of the book.
One of the motivational stories he gives is of the writer’s genius. The Romans believed in the idea of a genius. The genius, a personal spirit, arrived at birth. And it carried a person’s full potential. He offers this quote:
The genius was considered a birthright, but it had to be nourished in order to survive… the ancient Roman was expected to make a birthday sacrifice to his or her genius. If one served one’s genius well during life, the genius became a lar, or household god, after one’s death. If one neglected one’s potential the genius became a spook, a troublesome spirit who plagues the living (Dove 1995:17).
The myth is not so far removed from some African belief systems. I believe we are born with a writer’s genius, a writer’s potential. For those of us who are literate, this belief contains a challenge which John Irving the novelist, calls ‘the necessary strict toiling with the language.’
I quite liked that, but I would be inclined to use it in a different way — to incororporate a genius into my story, rather than use it as an inspiration for a story.
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