H. Rider Haggard was a writer of adventure novels, often set in imaginary locations, and has been credited with creating the “lost world” genre of literature. Like many of his books, this one is set in Africa, in the imaginary kingdom, or perhaps one should say queendom of Mur, ruled by Maqueda, a descendant King Solomon and the Queen of Sheba.
Richard Adams, a British medical doctor, who had wandered the world practising his trade, met and married an Egyprian woman in Cairo, and also met an Egyptologist, Professor Ptolemy Higgs, whom he cured of typhoid, thus earning his gratitude. Adams’s wife dies, and their only son is kidnapped, and many years later Adams has news of his son who is a slave of the Fung tribe in North Central Africa. Maqueda’s people, the Abati, are traditional enemies of the Fung, and avoid being conquered by the Fung because they live in an inaccessible valley surrounded by mountains. Maqueda tells Adams of a prophecy that the Fung will leave if their sphinx-like idol is destroyed, and if Adams does that, the Abati will help him release his son.
Adams returns to Britain, taking the Queen of Sheba’s ring to prove his bona fides, and enlists Professor Higgs (who is drawn by Adams’s stories of ancient artifacts) and a soldier, Captain Oliver Orme, with his sidekick Sergeant Samuel Quick, and they return to Mur with the explosives needed to blow up the idol, with the two soldiers having the necessary expertise in their use.
Unlike some of Haggard’s earlier books, this one seems rather contrived and unconvincing. Queen Sheba’s Ring was first published in 1910, by which time most of Africa had been colonised by European powers, and very few parts remained unknown to Europeans. Perhaps Mur was in the south of Libya, which had not yet been colonised by Italy. Soon after this book was written, modern communications ensured that most educated people in most parts of the world were at least aware of the existence of places and peoples living in continents other than their own, though I am sometimes surprised by the degree of geographical ignorance displayed by contestants in quiz shows. So Rider Haggard was pushing the “lost world” trope a bit hard, though the success of Tarzan stories, and later Indiana Jones, showed that there was still a little juice that could be squeezed out of it. But most writers looking for imaginary settings moved their stories to other planets, which gave them more scope for developing exotic civilizations.
In reading this book, however, I was constantly being reminded of the time in which it was written, because if strongly reflects the arms race that preceded the First World War.
In Britain, the Liberal Party, especially, reacted against the aggressive imperialism and violence that had led to the Second Anglo-Boer War. In Queen Sheba’s Ring Haggard shows himself as a convinced militarist, stressing the need for arms production and military training and conscription. At times I wondered if he had been asked, or even paid by the “hawks” in the Conservative Party to write a book that would do this.