I’ve just reread yet another Enid Blyton story from my childhood. I’d already read The Enid Blyton Story, about her life and work, and reread The Secret of Killimooin (the first Enid Blyton novel I read), and, as I noted there, while there are some children’s books that adults enjoy reading, Enid Blyton’s books are not generally among them.
So should kids read Enid Blyton? I say yes, because her books can encourage a love of reading.
A blogging friend, Clarissa, recently asked about something related to this. She quotes someone as saying:
If I were to stand up in a faculty meeting and say “The really good students are the ones who read Dickens [or the equivalent in whatever language you were educated in] for pleasure when they were young” I’d be called elitist. Maybe even racist. American anti-intellectualism spans the spectrum from (literal) know-nothing conservatives to touchy-feely egalitarian leftists.
Clarissa goes on to ask if this is true, because she might be inclined to say the same thing.
I’m not sure if it is true that the really good students were the ones who read Dickens as children, but I am fairly sure that the really good students I’ve had to teach were the ones who read books as children, because they were the ones who were able to make the transition from learning to read to reading to learn. An important stage in that transition is reading for pleasure.
Our middle child (who is now 30-something) wanted to go to school and learn to read because he desperately wanted to read The Lord of the Rings for himself instead of having it read to him. He was rather disappointed that he wasn’t able to do so after his first day of school.
Some years ago I was responsible for training self-supporting clergy in the Anglican Diocese of Zululand. They came to the training centre for one weekend a month, and then for 10 days at the beginning of each year. Their previous education levels varied tremendously — from four years of primary school to university graduates. Because they were part-time students, much of the training was based on reading, and I soon discovered that many had not made the transition from learning to read to reading to learn. About half of them sere school teachers, and their reading skills were the poorest of all the occupations represented. A grade 7 Maths teacher, for example, had a Grade 6 reading level.
We got some reading training equipment and spent part of each training session in trying to improve reading skills, but also moved the emphasis of the training from book study to other forms of instruction, which put them on a more equal footing. Those who could not read well were not stupid. They could talk just as intelligently as the readers. So yes, I could say that thinking that students who read Dickens were the best students could be elitist.
So how would it have helped them if they had all read books like The Mountain of Adventure or David Copperfield as children? (Both books have donkeys in them).
The Mountain of Adventure by Enid Blyton
My rating: 4 of 5 stars
This was the first book by Enid Blyton that I actually owned. It was given to me as a birthday or Christmas present when I was about 9 or 10 years old, and I loved it. It featured children riding donkeys in the mountains, a mountain with caves and secret passageways, a mad scientist conducting sinister experiments, and a helicopter. I read it several times.
I also read several other books in Enid Blyton’s “Adventure” series, but none were as interesting or exciting as this one. The Valley of Adventure came close, but didn’t quite make it, though it did teach me about stalactites and stalagmites and the difference between them.
Now I’ve just reread The Mountain of Adventure as an adult, and several things stand out, including many of the same faults that I had noted in The Secret of Killimooin. There was the over-use of exclamations (What a surprise!) in both the text and the dialogue. The food porn. The constant pointing out of the obvious.
Yet, for all its faults, to my 10-year-old self the story was interesting and exciting.
I notice some other things in reading it as an adult, however. One of its effects on me as a child was that if familiarised me with idioms that could probably be called literary cliches. They are things that people rarely say in real life, but often say in books, and they came with a flash of recognition — so that’s where I learnt that phrase!
Here are some of them:
- you’ll come to a bad end
- the coast is clear
- while the going’s good
- it will be the worse for you
- beside himself with rage
- taste of their own medicine
- a coward, like all bullies
- if looks could have killed
- smell a very large rat
- spilt the beans
I was aware of all those idioms, but it was in rereading The Mountain of Adventure I became aware of where I had learnt them.
So would the self-supporting ministry trainees have benefited from reading The Mountain of Adventure or David Copperfield, and would either have made them elitist?
One of the criticisms of Enid Blyton is that she was elitist, and her characters were all middle class.
I think of Wilson Mthembu, one of the Zululand self-supporting ministry trainees. I know nothing of his childhood or where he went to school, but he had got as far as Standard 2 (Grade 4), and he was a shopkeeper. How well could he identify with four middle-class English school children in the book?
Well, the children are not at home in the suburbs, but on holiday at a Welsh mountain farm, where the life is not all that dissimilar to rural Zululand, where there are donkeys, like those the children ride. And having some people speak English and some speak Welsh is not all that different from the English-Zulu divide in Zululand. And, as a shopkeeper, Wilson Mthembu is a member of the bourgeoisie.
The mad scientist might be a bit out of place, but that’s the essence of adventures — strange things happening.
Then there’s the helicopter.
And I recall that around the time that Wilson Mthembu was attending the training course, they were filming Zulu Dawn not far away. One of the stars, Burt Lancaster, broke his arm, and was taken by helicopter to the Charles Johnson Memorial Hospital to have it strapped up. He got out of the helicopter and there was a crowd of kids rushing towards the famous film star, but they ran straight past him and went to look at the helicopter.
And David Copperfield? Well he may have ended up as middle class, but he didn’t really start off that way. So I don’t think that is very elitist either.
A friend gave me a copy of David Copperfield for my 12th birthday. I think he’d told his parents that I liked reading, so they thought I’d like that. But I put it on a shelf and carried on reading Biggles (I’d graduated to that from Enid Blyton by then), and only read David Copperfield years later.
What’s the difference between Blyton and Dickens?
Most 10-year-olds can appreciate Enid Blyton because she tells a simple story. But Dickens is more complex, and it is not the books that are difficult so much as the understanding of human nature. Reading Dickens requires children to have an understanding of adult human nature which most children do not have. It is not reading difficulty, but experience of life that makes the difference. Blyton’s adult characters are crude and over-simplified, but they are fairly easy for children to interpret with their experience of adult behaviour. Dickens’s characters are much more complex, even though they do sometimes seem to have exaggerated characteristics, almost like caricatures. But it is easy for children to miss the irony
When I was at university one of our English set works was Northanger Abbey. I had not a clue what it was about, and missed the whole point. I read it again later, after having read a few books in the genre that Jane Austen was satirising, and only then did it make sense. It was like reading it for the first time, because that was after I had read Melmoth the Wanderer.
So no, I don’t really think it’s elitist to think that students who had enjoyed Dickens as children might be better students. But I think they might also be better students if they had read Enid Blyton.
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