Notes from underground

يارب يسوع المسيح ابن اللّه الحيّ إرحمني أنا الخاطئ

Archive for the category “novels”

The Sword of Shannara

The Sword of ShannaraThe Sword of Shannara by Terry Brooks
My rating: 3 of 5 stars

I’ve seen books in the Shannara series around in bookshops and libraries for many years, but they never seemed to have the first book so I always gave it a miss. Then I found this one in the library, and I thought it might be worth a look to see what it was about, quite soon after reading Stephen King’s comment that if The Lord of the Rights had been written in “sword and sorcery” style, Sauron would have been the hero.

This one wasn’t quite as bad as that, but it wasn’t very good either. I’ve read a couple of others in the genre — Pawn of Prophecy by David Eddings is one, but this one was a bit better than that.

I suppose the point of comparison with The Lord of the Rings is that this is a quest novel — a group of people are assembled by a mysterious figure (A Druid called Allanon in this case) to go on a long journey with many adventures on the way try to get hold of a mysterious talisman (the eponymous Sword of Shannara) before the bad guy does.

The world in which the story takes place is both over-described and under-described. Desolate places are described rather unconvincingly at great length — marshes and dry places in which nothing lives. But it is not until page 512 (of 664 in my edition) that there is any inkling that this world has horses, cavalry and wheeled vehicles. Until that point all travel seems to be on foot.

There are other odd inconsistencies — when those on the quest come to the Druid castle, which has just been captured by hostile gnomes, they find all the empty underground passages conveniently lighted by torches, and one wonders who lit them and replaced the torches when they burnt out. In the land there are four races, Men, Trolls, Gnomes and Dwarfs, but in various places they are all described as men or as human beings.

Not a very bad read, but not a very good one either. I don’t think I’ll be looking for the rest of the trilogy.

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Did Not Finish — books only half-read

It seems that lots of readers on GoodReads are using the Did Not Finish or DNF shelf. In my GoodReads shelving I’ve used Abandoned for such books. The 15 Most Common Books Never Finished, According To Goodreads:

Deciding not to finish a book can be a freeing experience. Our time as readers is limited and there are SO MANY good books out there. Choosing to DNF (or “did not finish” a book) isn’t an indictment of the book itself—usually—but a necessary aspect of the reader’s life nowadays. Some books, though, get DNFed more often than others.

What I would like to see is GoodReads making that shelf, or tag, official, like Read, Currently Reading and Want to Read. At the moment I’ve got a whole bunch of them sitting on my Currently Reading because I haven’t read them and I don’t want to read them, so I must be currently reading them, only I’m not.

When I read the article cited above two books that I hadn’t finished immediately sprang to mind: Jane Eyre and War and Peace. I could look at my Abandoned shelf to find more, but those are the two that immediately spring to mind. We actually have two copies of War and Peace — one, whose cover is illustrated here, and a much older single volume edition. Perhaps I should try the older translation, because one of the things I didn’t like about the translation by Rosemary Edmonds was the rendering of the Orthodox Divine Liturgy as “Mass”. I also found the notion of the spirituality of Freemasons rather alien, though perhaps they were different in Russia in 1812 from what they were in South Africa a hundred years later, when most of our grandfathers seemed to be involved in Freemasonry. My picture of Freemasons is solemn moustachioed stout gents in Edwardian suits with waistcoats and silver watch chains wearing fancy aprons, with all the spirituality of a bourgeois grocer.

Anyway I pulled out my copy to check the ISBN, and found my bookmark still in place on page 522 where I had stopped reading, two-thirds of the way through volume 1.

I checked some of the other books on my Abandoned shelf and found Underworld by Don DeLillo, The story of the last thought by Edgar Hilsenrath — I must admit that I was attracted to that one by its cover, a good example of why one should not judge a book by its cover.

Others were The Shack by William Paul Young, The Satanic Verses by Salman Rushdie, The Mists of Avalon by Marion Zimmer Bradley, Inklings by Melanie M. Jeschke, and The Information by Martin Amis.

Also sundry books by Charlotte Bingham, which I had bought in error, perhaps because we had enjoyed a book called Charlotte Gray by Sebastian Faulks, and I’d later confused it with the name of the author of a number of mediocre novels. We released them into the wild on BookCrossing, and no one has responded saying they’d found and enjoyed them, so they must have ended up in the well of lost plots.

Things fall apart

Things Fall ApartThings Fall Apart by Chinua Achebe
My rating: 4 of 5 stars

This is a short novel set in eastern Nigeria in the late 19th century. The protagonist, Okonkwo, is a man of renown in his village, first as a wrestler, and then as a self-made man who has worked hard to attain a position of respect in the community. But he is also hot tempered and something of a domestic tyrant over his family. He despises weakness in others, and in himself.

The traditional way of life of the village is disturbed by the coming of white men — missionaries, traders and colonial rulers. Okonkwo does not like the social changes they bring to the village, and urges others to resist them, but this resistance, and the manner of it, bring about his downfall.

The first half of the story is fairly static. It describes the village and its social life, the seasons of planting and harvesting, in a manner reminiscent of George Eliot. It enables the reader to experience something of the atmosphere of rural life. To readers from elsewhere, the description makes the unfamiliar become familiar. The main crops may be unknown in other places, but we are told enough about the farming methods to become familiar with the rhythms of rainy seasons and dry seasons, seed-time and harvest, and thus to appreciate something of the shock of social change when it comes.

As a missiologist and church historian I found the social change wrought by the missionaries particularly interesting. There are two missionaries in the story, Mr Brown and Mr Smith, The names are generic, deliberately so, I think. They represent two types of missionaries, and two different approaches to Christian mission in the 19th century.

The first, Mr Brown, represents the missionaries who preceded the New Imperialism of the 1870s and later. He is interested in the culture of the local people, and has religious discussions with them. I think this part is worth quoting in full, as it has much to say about Christian mission in general, and is thus of interest to missiologists:

(Mr Brown) made friends with some of the great men of the clan and on his frequent visits to the neighbouring villages he had been presented with a carved elephant tusk, which was a sign of dignity and rank. One of the great men in that village was called Akunna and he had given one of his sons to be taught the white man’s knowledge in Mr Brown’s school.

Whenever Mr Brown went to that village he spent long hours with Akunna in his obi talking through an interpreter about religion. Neither of them succeeded in converting the other, but they learnt more about their different beliefs.

‘You say that there is one supreme God who made heaven and earth,’ said Akunna on one of Mr Brown’s visits. ‘We also believe in him and call him Chukwu. He made all the world and the other gods.’

‘There are no other gods,’ said Mr Brown. ‘Chukwu is the only God and all the others are false. You carve a piece of wood — like that one’ (he pointed at the rafters from which Akunna’s carved Ikenga hung), ‘and you call it a god, but it is still a piece of wood.’

‘Yes,’ said Akunna, ‘It is indeed a piece of wood. The tree from which it came was made by Chukwu, as indeed all minor gods were. But He made them for His messengers so that we could approach him through them. It is like yourself. You are the head of your church.’

‘No,’ protested Mr Brown. ‘The head of my church is God himself.’

‘I know,’ said Akunna, ‘but there must be a head in this world among men. Somebody like yourself must be the head here.’

‘No,’ said Mr Brown. ‘The head of my church in that sense is in England.’

‘That is exactly what I am saying. The head of your church is in your country, He has sent you here as his messenger. And you have also appointed your own messengers and servants. Or let me take another example, the District Commissioner. He is sent by your king.’

‘They have a Queen,’ said the interpreter on his own account.

‘Your queen sends her messenger, the District Commissioner. He finds that he cannot do the work alone and so he appoints kotma to help him. It is the same with God, or Chukwu. He appoints the smaller gods to help him because the work is too great for one person.’

‘You should not think of his as a person,’ said Mr Brown. ‘It is because you do so that you imagine that he must need helpers. And the worst thing about it is that you give all the worship to the false gods you have created.’

‘That is not so. We make sacrifices to the little gods, but when they fail and there is no one else to turn to we go to Chukwu. It is right to do so. We approach a great man through his servants. But when his servants fail to help us, then we go to the last source of hope. We appear to pay greater attention to the little gods but that is not so. We worry them because we are afraid to worry their master. Our fathers knew that Chukwu was the Overlord and that is why many of them gave their children the name Chukwuka — “Chukwu is Supreme.’

‘You said one interesting thing,’ said Mr Brown. ‘You are afraid of Chukwu. In my religion Chukwu is a loving Father and need not be feared by those who do his will.’

‘But we must fear him when we are not doing his will,’ said Akunna. ‘And who is to tell his will? It is too great to be known.’

In Achebe’s report of these discussions, which is probably a condensed report of thousands of such conversations, it strikes me that Mr Brown’s interlocutor, Akunna, had a better grasp of Christian theology than Mr Brown himself had.

Last week I heard someone speaking about Christianity in relation to Graeco-Roman and ancient Egyptian paganism, and some of the issues that arose from that seem remarkably similar. Mr Brown and Akunna represent two different approaches, and in Things fall apart the first approach, that the gods of the pagans are human inventions, is presented as Christian, and the second, that there is a great God, the Creator, who made the little gods, is presented as pagan. That was also the approach of the speaker I heard on Friday. But if we read the Christian holy scriptures, we can find both approaches.

Akunna’s remarks seem to echo Psalm 94/95:3 — For the LORD is a great God, and a great King above all gods; or, in the Septuagint, ὅτι θεὸς μέγας κύριος καὶ βασιλεὺς μέγας ἐπὶ πάντας τοὺς θεούς·.

This is seen even more clearly in Psalm 81/82, which is sung with great jubilation in Orthodox Churches on Holy Saturday, and perhaps indicates the line that Mr Brown should have taken with Akunna — that the little gods have messed up. They have ruled the nations unjustly, and the Psalmist prays “Arise, O God, judge the earth, for to Thee belong all nations.”

And just before his death Jesus announces that he has come in answer to that very prayer: Now is the hour of judgement of this world, now shall the ruler of this world be cast out, and I when I am lifted up, shall draw all men to myself” (John 12:31-32)

That’s not what Akunna said, but it’s not what Mr Brown said either. Mr Brown missed the point.

This can be seen more clearly in Deuteronomy 32, where both approaches can be seen. In verses:8-9:

When the Most High gave the nations their inheritance, when he separated the sons of men, he fixed the bounds of the peoples according to the number of the sons of God, for the LORD’s portion is his people, Jacob his allotted heritage.

That implies that while all the nations had their own national spirits (Akunna’s “little gods”), Israel alone could by-pass the middle man, and approach the Almighty directly. The “to Thee belong all nations” cry in Psalm 81/82 is a plea that this will come to an end, and when Jesus says he will draw “all men” to himself, he is saying that the time has come. That is why mission organisations in the Orthodox Church use the slogan “panta ta ethne” — “all nations”.

Also interesting is that Akunna speaks of the little gods as “messengers” of the great King above all gods, and the Septuagint version of Deuteronomy 32:8-9 reads:

ὅτε διεμέριζεν ὁ ὕψιστος ἔθνη, ὡς διέσπειρεν υἱοὺς Αδαμ, ἔστησεν ὅρια ἐθνῶν κατὰ ἀριθμὸν ἀγγέλων θεοῦ, καὶ ἐγενήθη μερὶς κυρίου λαὸς αὐτοῦ Ιακωβ, σχοίνισμα κληρονομίας αὐτ

When the Most High divided the nations, he divided them according to the number of the angels (ie messengers) of God. In other words, the little gods are angels, or messengers of God, which Mr Brown failed to recognise, though Akunna knew it.

And back in the second century St Justin Martyr explained that the pagan gods of ancient Greece and Rome were angels, albeit fallen ones, as the Psalmist laments in Psalm 81/82. But I’ve written more about that here.

Though Mr Brown had his shortcomings, however, he also had his good points. It was missionaries of Mr Brown’s type who, earlier in the century, had consecrated Samuel Adjai Crowther, a freed Yoruba slave, as a bishop in western Nigeria.

Mt Smith, who followed Mr Brown, represents the new-style missionaries who came after the New Imperialism. They were more confident in themselves, more convinced of their own superiority, and less willing to learn anything from the local people. They were generally racist, and denounced their predecessors who had consecrated a native bishop in the person of Samuel Adjai Crowther, saying that it was premature, and the natives “weren’t ready for it”. For the Mr Smiths it would take centuries if not millennia of white tutelage before Africans were ready for a black bishop.

The Mr Smith-type of missionary was dominant until 1914, when the First World War shook European complacency and the tide of the New Imperialism began to recede. Achebe doesn’t take us that far, however. He just shows us the effect that it has on Okonkwo.

Achebe also shows how colonialism introduced or exacerbated corruption in African society, and how Christian mission became entangled with colonialism. If these things were unique to one small part of eastern Nigeria, it would perhaps make the novel less interesting, but in its very particularity, the story is universal. The society may change, its economy may change, but rural societies have often undergone such changes. The detailed descriptions at the beginning enable the reader from a different culture to feel at home in the society, to feel that it is not so strange. I’ve never seen or tasted a yam, but in reading the book I become aware that yams in that society play the same role as mealies in southern Africa, or wheat in England, or oats in Scotland. Achebe does that particularly well.

I find it interesting that one can learn quite a lot of missiology from works of fiction like this book. There are others that come to mind as well. The Poisonwood Bile by Barbara Kingsolver tells of an American missionary in what is now the Democratic Republic of congo, who is a Mr Smith-type missionary, and fails to come to terms with the local culture, and all the members of his family make their own different adaptations. Another that deals with modern mission, this time in South America, is At play in the fields of the Lord by Peter Matthiesen. In all these instances the missionaries have been immersed in modern culture, and come unstuck when they encounter premodern culture.

For a novel that deals with premodern missionaries and premodern people, an interesting one is Credo by Melvin Bragg.

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The crystal skull

2012: The Crystal Skull2012: The Crystal Skull by Manda Scott
My rating: 2 of 5 stars

Perhaps this would have been more interesting if I had read it before 21 December 2012, when, according to the author and several other people, the world was supposed to end. It’s set in two different periods, the 16th century and the 21st century. In the earlier period the possessor of a crystal skull hides it in a cave, and in the later one someone discovers it in the cave, and has the task of taking it to its proper place in preparation for 21 December 2012, when it will combine forces with 12 similar skulls in different parts of the world to create a magical dragon or worm, the Ouroboros, which will either save or destroy the world.

The theme of legendary artefacts playing a part in a current adventure is quite common, and this particular one, of the crystal skulls, also featured in one of the Indiana Jones films. The notion that crystal skulls were ancient Mayan artefacts has been refuted, but that should not get in the way of a good story. As a McGuffin a crystal skull is as good as any. but the problem with this book does not lie in the choice of McGuffin, but rather in the characters and plot.

The 21st-century characters are followed to the cave where the skull lies hidden by someone sinister whose who attacks them, but whose identity and motives are only revealed at the end. But the behaviour is unexplained and the motives ring hollow. Much is made of the injuries and medical treatment of the victims of the mysterious attacker, but the role of this villain seems to be tacked on as an afterthought. In an Indiana Jones-type scenario, there must be villains, so the villains pop up at intervals, but just when they have done their worst the scene jumps to the other century, and by the time one gets back to the aftermath of the attack, the details have been forgotten. What was it that happened that this character ended up in hospital? Oh, a fire? Or was it a fall in a cave?

The 16th-century characters are even more confusing. They fear being arrested and charged with “heresy”, but just what that heresy might have been is not clear. They are given hospitality by a Jesuit missionary who is portrayed as both welcoming and a threat, and this ambiguity is never resolved. They are pursued by Francis Walsingham, Queen Elizabeth I’s spymaster, for clear reasons that are irrelevant to the plot, and the relevant reasons are unclear.

So one is left with the impression that the crystal skull is the protagonist, and the human characters are mere props. But at least that fits with the title of the book.

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Between mountains

Between MountainsBetween Mountains by Maggie Helwig
My rating: 5 of 5 stars

At one level this is a love story. Daniel is a journalist who has been reporting on the Wars of the Yugoslav Succession. He meets Ljilja, who is an interpreter at the war crimes tribunal at the Hague. One of her professional obligations is confidentiality, she should not speak to journalists about anything she hears. And Daniel’s obligation as a journalist is to report what happens, while protecting his sources. They are attracted to each other, but their professional obligations are in conflict.

Once a month a small group of us meet at a cafe for informal discussions of Christianity and literature and when we met last week my wife Val mentioned this book, which she had just finished reading. I’ve already mentioned some of the things that struck her in a report on that gathering here Neoinklings: alienation and otherness | Khanya. One of the bits she read out at the gathering was about the Orthodox monks at Decani in Kosovo, who gave asylum to those fleeing from the violence, and urging people to talk instead of fighting.

And that is really what the book is about — the inability to communicate, which breaks down into violence.

One of the things that struck me, and which is alluded to in the book in passing, is that at the very time when South Africa was turning from violent confrontation to talking, and abandoning apartheid, much of Eastern Europe was going in the opposite direction. I’ve also dealt with this more fully in this article Nationalism, violence and reconciliation, which I think also gives some of the background story for this novel. And so the book rings true.

I recall a member of our church, a school teacher who originally came from Dubrovnik, whose father was an Orthodox priest, saying that people she had grown up with and gone to school with, whom she had regarded as friends and neighbours, would no longer talk to her, no longer answer her letters, because of the hatred being fostered between different ethnic groups.

And the descriptions of those rising ethnic barriers captured for me the essence of the spirit of apartheid. Yugoslavia was entering a nightmare that we were just leaving. One of the characters, accused of war crimes and awaiting trial…

He had felt the cold clear satisfaction of a job done well, the decisive pleasure of colours shifting on a map, the weight of a gun at his waist. But only because it had to happen, there was a force of history behind him, if it had not been him it would have been someone else, anyone else, history would have its way.

And I could picture the apartheid apparatchik in his office in Pretoria, looking at his map with satisfaction on receiving a report of these people moved from that area, those people moved to this place, as the territory and its population changed to conform to the Platonic ideal of a map in his office.

And again the same character in the novel, echoing the same faceless bureaucrat in Pretoria:

To be able to say, I will draw this line here, and these people will be on the other side of it. Apart from us. So that we can be alone, and pure and safe, and these people will be the darkness of the other side. No one who has not had this chance could understand the sweep of it. The exaltation.

And there it is again, the essence of the unclean spirit of apartheid, exorcised from South Africa, moving to the Balkans, but not excluding the possibility of returning. No, not at all.

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All of a winter’s night

All of a Winter's NightAll of a Winter’s Night by Phil Rickman
My rating: 4 of 5 stars

I suppose one could sum it up by saying this this book is to morris dancing what The nine tailors by Dorothy Sayers is to church bell ringing.

I looked at this book very carefully before buying it, to make sure that it was not Midwinter of the spirit sneakily published under a different title, since they have republished old Phil Rickman books under new titles before, as a trap for the unwary.

It turned out, however, that I had not read this one before.

Phil Rickman‘s early books were of the fantasy/horror genre, but he seems to have been moving in his more recent ones more towards the crime and detective genre. In this one, however, he seems to have been trying to give equal prominence, switching scenes between the Revd Merrily Watkins, Church of England Vicar of Ledwardine in Herefordshire, who is also the diocesan exorcist, but with the updated and rather twee title of “deliverance consultant”, and Hereford detectives Annie Howe and Francis Bliss who do their detecting while trying to keep their affair secret from their colleagues.

It’s a while since I’ve seen a new Phil Rickman book — as I noted, the last one turned out to be a false alarm, mutton dressed as lamb. Perhaps I have rosy memories of his style, or perhaps his writing style has changed, but I found this one stylistically disappointing. I don’t know whether is writing style has got worse, or whether I have just become more critical.

One of the problems is that he has sudden changes of scene, but the characters are only indicated by pronouns. So you have “he said” and “she said”, but only halfway through the paragraph do you realise that the he and she are not the same people who were in the previous paragraph, and go back to the beginning and read it with different characters in mind.

In the first few chapters, in Particular, it looks as though Rickman has been reading the elementary text books on fiction writing that give advice to wannabe writers — especially the advice to end every chapter with a cliffhanger. The problem is that for the first 15 chapters or so the build up to the cliffhanger falls flat in the next chapter, so that every chapter begins with an anticlimax. This becomes tiresome after a while. So one learns that people have been terrible things in a churchyard. It turns out to have been morris dancing.

I first learnt about morris dancing from the comic strip The Perishers, which appeared in the Daily Mirror back in the 1960s. The role of the morris men in the comic strip was never terribly clear, but they struck me as nostalgic old gits who were trying to keep alive imagined traditions of a Merrie England that had never existed. Twenty years later I saw them performing in real life in a series of church fetes in Pretoria, the ind of events announced on their posters as a “Fayre”. I once made a video juxtaposing them with a group of Pedi women doing a folk dance in what is now Limpopo province, but was then called the Northern Transvaal. Two folk traditions, one local, the other imported.

Rickman tried to introduce morris dancing as though it was uncanny, spooky and scary, but in my experience, however, it was just quaint and nostalgic, and morris men no more sinister than people who liked going around ringing church bells.

As the book goes on it gets better, at least as far as the plot is concerned, and I don’t think it would be too much of a spoiler to say that ultimately the villain turns out to be capitalism, especially as exemplified by property developers. In that it doesn’t differ much from some of the other more recent Phil Rickman books.

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Okavango gods

Okavango GodsOkavango Gods by Anthony Fleischer
My rating: 3 of 5 stars

On one level this is a teenage love story set in Shakawe in north-western Botswana. On another level it is a story of a devastating flood, which the author relates to the ancient Middle-Eastern flood stories of Gilgamesh and Noah.

A fisherman’s son and talented woodcarver, Pula Barotse, and his friend, the village doctor’s daughter, Julia Pinto, face the beginning of the flood together, and gradually Pula falls in love with Julia. Pula is black and Julia is white, they come from different backgrounds and cultures, and the flood both draws them together and yet places another barrier between them. There is an American pilot who has come to rescue the flood victims, and who who also falls in love with Julia, and quite a large part of the story is told from his point of view.

There is a villain, Potlako Lereng, a Mosotho, who pops up at odd moments in the story and does nasty things to the other characters, but his motives are never explained other than that he is a “maniac” and a “terrorist” and comes from Thaba Bosiu, the mountain of night, which is made to sound ominous, but with no explanation. I got the impression that the author had a deep prejudice against the Basotho people, and he made Lesotho sound like Mordor, and the Basotho had come to the Okavango delta like orcs, to ravage and destroy.

The Okavango River near Shakawe, Botswana

There are all the ingredients for a good story, star-crossed lovers, a dramatic event, an evil villain, yet somehow it does not gel. In that respect it reminded me of another novel I read several years ago, Odtaa by John Masefield. Odtaa stands for “one damn thing after another”, and in some ways real life may seem like that, but it makes for boring fiction.

I’ve been to Shakawe, or at least passed through it, and took a boat ride up the Okavango river there, so I can picture many of the scenes described in the book — the bee-eaters nesting in the river banks, the crocodiles and hippos, the reeds and the fish eagles. So the descriptions are evocative, but the events themselves and the motives of the characters remain obscure.

*** spoiler alert ***

If you have not read the book and might like to, some of what follows may give away elements of the plot.

Towards the end of the book Pula and Julia go to the Tsodilo Hills, about 40 km west of Shakawe. During the flood Pula has planned to go there by boat, but it seems that the flood waters have receded. So the implication is that they have walked, a day or two after Julia has been desperately ill, at death’s door. The rescue plane gets stuck in the mud. How that happened is not explained, just hinted at. Pula’s father, John Barotse, suddenly decides to attack a crocodile with a small axe, but his motive is not explained. Potlako Lereng pops in and out of the story, threatening or doing nasty things to people for no apparent reason. It is clear that he is a bully, and behaves like one, but most of his actions, except for the last, do not really contribute to the story.

There is a traditional healer, Bubi. She is part diviner, part healer, part witch. That is credible. Healers can turn to the dark side and become witches just as security guards can turn to the dark side and help burglars. Her name suggests evil, but that may just be me — ububi is the Zulu word for evil, but she is not Zulu-speaking, and it may mean something completely different in her language, though with the menace the author tries to put on the Mountain of Night, ind with his refferring to he as a witch, it is quite possible that he is trying to suggest by her name that she is evil. Julia fears her, though whether this is just cultural prejudice, or because she fears real evil, is not made clear.

I’ve also visited Lesotho, and only a few days ago blogged about one journey there, at the age of 17. And shortly before or after that trip I also read the novel Blanket Boy’s Moon, which describes the ritual murders that lie behind some of the menace in Okavango gods. It was from reading that that I first learned of the practice of female circumcision, which I found almost as horrifying as the ritual murders. But the menace that author Anthony Fleischer ascribes to Thaba Bosiu seems misplaced. In Lesotho history it has an honoured place as a mountain of refuge and not does not have the Mordot-like qualities that Fleischer attributes to it.

In the end Bubi tries to drug Julia, though her motive for doing so is unclear, and Julia attacks her, with motives that are also unclear. She could have simply tried to escape, but in the end she has become like Potlako Lereng, who appears as a deus ex machina to threaten her once again.

It could (in my view) have been a much better book if the events had been described — Julia becoming ill, the grounding of the rescue plane, the journey to the Tsodile Hills — rather than just being hinted at, and also if the motives of the characters had been explained.

But in its present form it really is just one damn thing after another.

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The Psalm Killer (review)

The Psalm KillerThe Psalm Killer by Chris Petit
My rating: 4 of 5 stars

Twenty years ago I read The Monkey House, where a detective has to try to solve a murder case in the middle of a civil war, where different factions are taking pot shots at one another in war-torn Sarajevo. This one, published about the same time, is very similar, except that it is set in war-torn Belfast about ten years earlier.

In both cases the temptation is not to bother too much, and simply ascribe any unexplained deaths to “sectarian violence” and leave it at that. But of course if they did that there would be no story. But there is also the danger that if the detective solves the crime, the interests and deeds and loyalties of powerful figures might come to light.

In this case, the killer publishes verses from Psalms in newspapers with each killing, almost as if wanting to be found.

The two main detectives in the case, Cross and Westerby, have no first names, or at least the reader is not told them. This calls to mind Inspector Morse of Oxford, whose first name was not known even to his closest colleagues on the force. I’m not sure what the purpose of that is — to depersonalise them? But they are the strongest characters in the book. Perhaps to show that they are puppets, manipulated by forces beyond their control.

Despite a few puzzling plot holes this one is a very good read, and shows how the exercise of trying to find the “good guys” in conflicts like these is almost impossible. There is no “war on terror” here, there are just terrorists against terrorists, with ordinary people as the victims.

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The Big Six (review)

The Big Six (Puffin Books)The Big Six by Arthur Ransome

When I was a child, books by Arthur Ransome were the kind of children’s books that adults thought that children ought to read, but which I found rather boring. Our school library was well stocked with them, so I read a few, but if I’d been on Good Reads back then I’d have given them two stars, three at the most.

I can remember little of what I read, and perhaps I read Coot Club, of which this is a kind of sequel, and I suppose my main memory is knowing what the Norfolk Broads were — the kind of knowledge that comes in useful when watching TV quiz shoes like Pointless, until you’ve seen them so many times that you stop trying to work out the answers, and rather try to remember which question is going to come up next and which of the very familiar contestants gets the right answer. But yes, reading about that di help to me form some kind of picture of the place, which recurs in other books, such as The Nine Tailors by Dorothy Sayers.

I also read Missee Lee, from which I learned that typhus was a serious disease, but when I grew up I found that its cousin typhoid was more common.

Arthur Ransome’s books were great for children who liked messing about in boats, but the closest thing we got to that was paying an exorbitant fee for half an hour rowing round the island in Joburg’s Zoo Lake, or the slightly less crowded Germiston Lake.

The Big Six has boats, lots of them. But it is also a whodunit, and that adds to the interest. I don’t remember reading it as a child. I do remember reading a couple of Enid Blyton‘s Secret Seven series, where a group of children outwit the criminals that have the local police foxed.

In this one it is not difficult to guess the culprit, but the child detectives are themselves accused of the crime, and so in order to exonerate themselves they have to find the real culprits. The crime is casting off moored boats, and stealing some equipment — not major crimes worthy of Interpol, but serious enough in a small village where the children’s fathers are boatbuilders, and a bad reputation could harm their livelihood.

Though it takes a long time for the children to identify the suspects, that is not the main problem. The main problem is to collect evidence that points unambiguously to the perpetrator, because so much of the evidence they do manage to collect is open to different interpretations. So as a children’s whodunit, this one is quite sophisticated. Finding a suspect is one problem, getting enough evidence to convict is another.

In addition to being a whodunit, there is an undercurrent of environmental concern, perhaps of wider concern now than when Ransome wrote it in the 1930s. One is conscious of such concerns throughout the book, that, and the price of things. The idea of a lawyer’s fee being 66c makes the mind boggle.

I don’t think I read this one as a child, but if I had, I wonder if I would have been able to grasp that point at the age of 9 or 10. But as an adult, I thoroughly enjoyed it.

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The house on Falling Star Hill

The House On Falling Star HillThe House On Falling Star Hill by Michael Molloy
My rating: 3 of 5 stars

I read an earlier book by Michael Molloy, The witch trade, and was not at all impressed. The blurb made this one sound a bit more interesting, and as I had nothing to lose I took it out of the library anyway. I could alwasys dump it after a couple of chapters if it didn’t look interesting.

I was therefore pleasantly surprised tom find that it was a considerable improvement on The witch trade. The characters are more interesting, if somewhat stereotyped.

A boy, Tim Swift, meets a girl, Sarre, from another world, called Tallis. According to the Chronology of the story they are both about 11 years old, Tim and his dog Josh get unexpectedly dragged into Tallis where Tim discovers that Sarra is a Chanter, with special powers. Tallis has some similarities with Earth, and some differences. Jewels are plentiful but flowers are scarce, which makes a lucrative trade for some. There are also power struggles between the king and a would-be usurper., which makes for interesting adventures and excitement, in which Tim and Sarre, as somewhat precocious brats, play a significant part.

There are also hints of a romantic interest, especially on the part of Sarre, which at some points looked as though it might turn it into a rerun of His Dark Materials , but fortunately it didn’t. But while His Dark Materials appeals to adults as much as to children, I think The house on Falling Star Hill will appeal mainly to children, and rather younger ones at that.

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