A fascinating excursion into all the bits of books other than the actual text itself. It includes a bibliography (in the chapter on Bibliographies) that shows that each of these “forms” has one or more books dedicated to itself alone. There are books on bibliographies, books on indexes and indexing, books on footnotes and footnoting, and more. Jackson refers to these parts of books, other than the main text, as “paratext”.
It was inspired by Curiosities of Literature first published in 1791 by Isaac D’Israeli (father of Benjamin Disraeli, sometime Prime Minister of the UK). I have a copy of that too, in three volumes, and one of the oldest books in our house. We have the fourth edition, published in 1794, and it’s on my list to read now. I’ve only dipped into it before, reading an essay here and there (it’s that kind of book), but Kevin Jackson has piqued my curiosity.
My mother once worked at Arthur Meikle’s, estate agents and auctioneers in Johannesburg, and bought this copy at a sale, presumably from a deceased estate, probably of Hedley Williams, who seems to have acquired it in May 1937. There is also an inscription of a previous owner, with the note “Bgt at sale”, so perhaps the physical books themselves have an interesting history.
In addition to the interesting histories and facts about these literary forms, Invisible Forms would be useful to any aspiring writer, as it could give most people a better knowledge of most of these forms, and in one volume, rather than having to get a separate book for each. Are you struggling to find a suitable title for your next novel? Read the chapter on Titles here.
It is also full of droll and erudite humour. Anyone who has worked in academia in the last 30 years and has gradually seen the proportion of administrative to academic staff rise enormously will be amused, or perhaps dismayed, by a footnote on footnotes, discussing the profusion of footnotes and other references in academic books:
There used to be a method, no doubt encouraged by bean counters, whereby the ‘objective’ worth of an article or book was supposed to be gauged by the number of citations received in other books or articles. The effect was predictable by anyone who isn’t a bean counter: academics would set up little back-scratching groups or cartels of citation.
Indexes have taken many forms, and some have taken a narrative form, telling a story in themselves. Jackson notes that some publishers, no doubt inspired by their bean counters, had left indexes out of some of their academic books, not so much because of the extra expense of including them, but to foil academics who, in search of a couple of citations, would simply browse the index in a bookshop instead of buying the book. Jackson gives, as an example of an index telling a story, R.C. Latham’s index to Pepys’s diary:
‘BAGWELL,–; wife of William; her good looks–; P plans to seduce–; visits–; finds her virtuous–; and modest–; asks P for place for husband–; P kisses–; she grows affectionate–; he caresses–; she visits him–; her resistance collapses in alehouse–; amorous encounters with at her house.’ Unsurprisingly, Mr Latham won the Society of Indexers’ Wheatley Medal for 1983 with this fine work.
There are several chapters devoted to pseudonyms, heteronyms and fictional books and authors.
One example of a fictitious book that he gives is The Necronomicon, frequently mentioned, with an elaborate pedigree, in the horror stories of H.P. Lovecraft, and Jackson tells of people who have gone into bookshops to order copies, only to be told that it doesn’t exist.
Since this book was published 20 years ago, a more recent example has occurred. The Da Vinci Code by Dan Brown mentioned similar fictitious books. The protagonist, Professor Robert Langdon is introduced as the author of The Symbology of Secret Sects, The Art of the Illuminati and a few others. When my son worked in a bookshop a few years ago a customer came in and asked if they had one of these books. My son said they did not. The customer then asked him to order it, and my son said he could not, as the book did not exist. The customer angrily waved a copy of The Da Vinci Code, pointing to where the book was mentioned, and my son explained that it was a work of fiction, and the protagonist was a fictitious character, and that the books that the story mentioned were fictitious works. The customer got even more angry, and threatened to report him to the management for refusing to order the book.
Another interesting chapter was on Marginalia. Jackson records some instances where marginalia have been collected and published separately. Something not mentioned in the book, but which came up while I was reading it, was this article: Why Were Medieval Knights Often Pictured Fighting Giant Snails?, which deals with marginalia in medieval manuscripts.
Jackson gives more examples of fictitious authors, some of whom published real works. There were three Portuguese poets who did not exist. Another imaginary character turned up in several books, as various authors joined in the fun.
A quick read was informative and illuminating, but one could have weeks or even months of fun following up some of the more obscure allusions.