Postcards by Annie Proulx
My rating: 3 of 5 stars
Loyal Blood is a farmer’s son who leaves home after his girlfriend dies. How she dies is never revealed, though he feels somehow responsible, and after that has an allergic reaction if he touches a woman. He wanders around doing various odd jobs. and occasionally sends postcards back to his family, but they can never reply because he leaves no address.
The book covers about 40 years, from 1944 to about 1984, and in some ways was an evocation of my childhood, remembering things like turning the handle of the milk separator to get the cream, and turning the handle of the wooden butter churn to make butter. Remembering what it was like to have no mains electricity, and waiting four years for the post office to install a telephone line. That was life back in the 1950s. I recall going to the Rand Easter Show, and looking at agricultural machinery, shiny in red and green paint, with springy metal seats for the operator, and then seeing such machinery, abandoned and rusted and useless, behind a ramshackle shed.
I wanted, at times to be a farmer in those days, and used to read Popular Mechanics and the Farmers’ Weekly. I never read the articles, just the small ads of farms for sale, or farm equipment. There was a course advertised in Popular Mechanics on “How to break and train horses”, which cost $50.00. That would have been about R40.00 in those days, but about R6000 in today’s money.
And this book brought it all back, with its descriptions of rural life, the life behind the Popular Mechanics ads. And the reason I never took it up is that farming is hard work with no let-up. Those cows have to be milked every day, rain or shine, winter or summer. The milking shed has to be cleaned or they get foot-rot. There are no weekends off, no holidays. And the book brings this out.
And I wonder if the urbanised people who talk about land redistribution are aware of this. Your grandfather may have been unjustly dispossessed back then, but are you prepared to go back and recreate his life, and take up where he left off? Back in the 1950s there were no big supermarket chains whose bulk buying could squeeze prices they paid for agricultural produce.
In Postcards Loyal Blood is sometimes a farm hand, sometimes trying farming on his own account, sometimes a fur trapper, sometimes a miner, sometimes a uranium prospector. And most of these rep[resent a way of life that has vanished. I remember those ads in Popular Mechanics for geiger counters and books on how to get rich quick as a uranium prospector in the 1940s and early 1950s. And somehow Annie Proulx manages to capture all of that.
So what genre is the book? A family saga? A snapshot of a period? Or a series of snapshots. It’s quite well done, in a way, and yet strangely unsatisfying. What happened to the girlfriend? Did he kill her? Did her family look for her? Did anyone wonder about her?
For the last 40 years we have been researching our family history, and in a way real family history is very like this book. There are snatches of recollections and old photos of cousins who disappeared and no one ever heard from them again. But they must have had lives, and perhaps some of them ended up like Loyal Blood in this book.
I recall Joan Rogers, who at one time lived in a caravan in our driveway. She had a horse called Royal and an old pointer dog. She worked in the lab at the South African Institute for Medical Research beyond Silvamonte, and at one time showed us the dessicated button spiders that they ground up and injected into the necks of horses to make the antivenin for the spider bites. She was something like Loyal Blood in the book, a wanderer, whose path intersected with mine for a couple of years but where she came from and where she ended up is unknown, at least to me.
And it was things like this that the book was evocative of. For other people it will be evocative of something else, other scenes, other people, other experiences.
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