I’ve been reading an interesting article by André Brink, on Interrogating Silence, which was in a book I found in the library.
No this isn’t a review of the book, which got poor reviews on GoodReads, and I haven’t finished reading it yet. This is rather some thoughts sparked off by reading a couple of the articles, and memories of old friends, and the kinds of silences that are imposed on us by changing circumstances.
Writing South Africa: Literature, Apartheid, and Democracy, 1970-1995 by Derek Attridge
I took this book out of the library mainly because it had an article by an old friend, Graham Pechey, who died in Cambridge, UK, in February 2016. I had known Graham Pechey when I was a student in the 1960s, and it was he who introduced me to Bob Dylan. He lived in a flat next door to another friend, John Aitchison, and had borrowed the Dylan records from yet another student, Jeff Guy, who later became a historian.
On one memorable evening, on 11 November 1965, after Ian Smith had unilaterally declared the independence of Rhodesia, and Bram Fischer had just been rearrested after several months on the run, and I had received an official warning from the magistrate in terms of the Suppression of Communism Act, John Aitchison (who was banned) and I sat with Graham Pechey in his flat, and drank toasts to Bram Fischer, Harold Wilson, and Queen Elizabeth II. I’ve described the occasion more fully in another blog post here.
At that time Graham Pechey was an atheist and a bit of a Marxist, but he later explained his sympathy for monarchy, which I am inclined to agree with, on Facebook on the 60th anniversary of the coronation of Queen Elizabeth II:
‘The rise of Hitler, Franco and Stalin showed that there are worse institutions than a Monarchy–that a people deprived of a Royal Family can turn to far more dangerous gods. As one Socialist said before the war: “If you throw the Crown into the gutter, you may be sure that somebody will pick it up”‘. Wise words from the Observer, June 1953, reprinted in today’s issue.
Graham Pechey later married my philosophy lecturer, Nola Clendinning, who took to paining ikons, and in Cambridge, I am told, he was a pillar of the local Anglican Church. I would love to have been able to meet with him and chat about these things over a beer, but the last time I saw him was in 1971, and though we were later reconnected on Facebook, it’s not the best medium for that kind of conversation. So now all I can do is interrogate the silence.
Though I do have the article in the book: The post-apartheid sublime:rediscovering the extraordinary.
The first article in the book, however, is by André Brink, on Interrogating silence.
In it he writes:
The experience of apartheid has demonstrated that different kinds or levels of silence exist. There is the general silence of which I have spoken above and which exists in a dynamic relation with language/literature; but there are also more specific silences imposed by certain historical conjunctions. If any word involves a grappling with silence, the word uttered in the kind of repressive context exemplified by apartheid evokes an awareness of particular territories forbidden to language. Just as surely as certain sexual relationships were proscribed by apartheid, certain experiences or areas of knowledge were out of bounds to probing in words. These were often immediate and definable: certain actions of the police or the military; certain statements or writing by ‘banned’ persons; the activities of the ANC or other organizations of liberation.
That recalled John Aitchison, who was banned from 1965-1970, and after a year of freedom, again from 1971-76. During those periods he was not allowed to publish anything, nor was any publication allowed to quote him. As described in the article mentioned earlier, in 1966 I went overseas to study in Durham, UK and was away for two and a half years. During that time John Aitchison and I were in frequent correspondence, writing, on average, about once a fortnight. In our correspondence we were constrained by the suspicion (which later proved completely correct) that our letters to each other were being read by the Special Branch (SB) in South Africa, so there was a kind of imposed silence there. The SB reports to the Department of Justice frequently referred to “a sensitive source” (‘n delikate bron) for information that could only have come from letters we wrote to each other when I was overseas.
At one point John wrote to me expressing the fear that it would become even more repressive. There was a proposal to extend the restrictions in banning orders so that In addition to not being allowed to publish anything, a banned person would not be allowed to write, compose, compile or distribute any document, photograph etc which was not a publication within the meaning of the act, if it contained any political reference at all. That would have been yet another level of silence. Even private letters not intended for publication would have to be bland and non-political.
I returned to South Africa. We shared many ideas and talked about them and bounced ideas off each other. We published a small magazine called Ikon which shared some of these ideas, about human and inhuman settlements, about theological trends and various other things. John was still banned, so his name did not appear as an editor. Articles we wrote jointly bore only my name. By that time John had married my cousin Jenny Growdon, who was an art teacher and did much of the artwork. But silence was still imposed.
Ikon was originally published under the auspices of the Christian Institute, an ecumenical group that was itself founded to counter some of the silence imposed by apartheid, particularly on members of the Dutch Reformed Churches. But Ikon proved too radical even for the Christian Institute, which was seen by the apartheid government as dangerously radical, and was eventually itself silenced by being banned; both the organisation itself and its leaders were banned in 1977. But it was the Christian Institute itself that attempted to silence Ikon, so we had to publish it independently. Nine months later I was in Windhoek, sitting in the boss’s office in the Department of Water Affairs. After working there for a month as a waterworks attendant, I was told that I was sacked; no notice, leave immediately. I could see a press cutting on top of the file folder open on his desk,. As it was upside down I could only read the headline: CI keer wilde jeugblad (Christian Institute rejects radical youth magazine). O! the ideological perils of being a waterworks attendant!
John’s ban expired in 1970 and communication was freer, but he was banned again within a year. I was deported from Namibia in March 1972 and stayed with John and Jenny Aitchison in Pietermaritzburg. We had embarked on a new project, the promotion of Theological Education by Extension (TEE) in the Anglican Church. John wrote a 20-page executive summary of a 600-page book called Theological Education by Extension edited by Ralph D. Winter. I duplicated it on a stencil duplicator on green paper and we sent it to all the Anglican bishops in Southern Africa, and all those responsible for theological education in the Anglican Church.
Then I travelled the country (at my own expense) trying to sell the idea to the those we had sent the document to. Many of them were suspicious because the “Green Thing”, as we called the document, was anonymous. It was anonymous because if the SB discovered that John was responsible for it, he could go to jail for five years. In 1972 a lot of Anglican bishops were still rather politically naive, and were not really aware that South Africa was a police state. The following year the government expropriated the Federal Seminary, run jointly by the Anglican, Congregational, Methodist and Presbyterian Churches, showing that they did indeed regard theological education as an ideological threat.
My career as unpaid promoter of TEE ended abruptly in July 1972 when I was banned. I was living in the same house as John Aitchison, but was henceforth not allowed to communicate with him in any way at all. More silence. The Minister of Justice dealt with that by banning me to Durban, even though I had nowhere to live there, and was dependent on the generosity of clergy (Anglican and Congregationalist) who took me in.
But in a sense, that enforced silence was never lifted. It seemed to have a permanent effect. Even after our bans were both lifted in 1976, our friendship was never again as close. Instead of communicating once every couple of months, or once every couple of weeks, it’s now once every couple of years. Did the double ban make the effect permanent. Apartheid is dead, but perhaps in ways like this its ghost still haunts us. How does one interrogate that silence?
After the end of apartheid I wrote a couple of novels set in the apartheid years. One was a children’s story, Of wheels and witches, set in 1964. You can read more about it here. The other was for adults, set 25 years later, but having some of the same characters. It is The Year of the Dragon.
In these books there is a release from some of the immediate and definable constraints of apartheid that André Brink speaks of, the things that were out of bounds to probing in words, namely certain actions of the police and military.
For such things, the silence has been lifted — or has it?
In the last week of 2018 review copies of the book were available free, and I wondered if anyone would like to talk about these things. Eighty review copies were taken, but so far there have been only two reviews. One you can see on GoodReads here.
The other review, by Bishop John Davies, has not hitherto appeared on the web, but I did send it, along with the invitation to take review copies of the book, to members of three book discussion groups I’m a member of. One group meets face to face once a month, the other two meet on line.
In all three forums The Year of the Dragon has been met by a resounding silence. Apartheid has ended, and so cannot be blamed for this silence. No one has said they have liked the book or disliked it. No one has said anything at all. It seems as though everyone is avoiding the subject.
How does one interrogate this silence?
In an attempt to get a wider readership than just people I talk to anyway, I promoted the book on Twitter, among other things by using the hashtag #iartg. That is the Independent Authors Re-Tweet Group. It provided an interesting assortment of books on my Twitter feed, quite a large proportion of which had covers featuring male human torsos. Perhaps they’re more attractive than dragons’ torsos.
I’ve invited people to ask questions about the book on GoodReads. Nothing. Nada. Zilch. Lutho. Silence.
Can you interrogate this silence?
There is something else about the Writing South Africa book.
As I said, I haven’t read all the essays in it, only the introduction and a couple of the other articles. And it did get bad reviews. But it was about the period before 1995, and so was looking forward to a kind of postcolonial literary future, that would not be dominated by struggle literature. It is interesting to read it 20 years on, and compare hopes and expectations of 1995 with the reality.
After the Zuma years that sanguine outlook seems a little naive and unreal. Most of us are a lot more cynical and pessimistic than we were back in 1995. Is there any hope? Is there any reason for hope?
One lesson some of us may have learned is from a Psalm that is sung at almost every Divine Liturgy in the Orthodox Church:
Put not your trust in princes, in sons of men in whom there is no salvation.
When his breath departs he returns to his earth, on that very day his plans perish.
And as for hope after the Zuma years, perhaps this:
And I will restore to you the years that the locust hath eaten, the cankerworm, and the caterpillar, and the palmerworm, my great army which I sent among you.
And ye shall eat in plenty, and be satisfied, and praise the name of the LORD your God, that hath dealt wondrously with you: and my people shall never be ashamed (Joel 2:25-26).